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Before and after photos win trade work

Why honest job photographs beat every word on a trade website, and a simple habit for taking them without slowing the job down.

A customer choosing between three quotes cannot inspect your workmanship. They were not there for your last job and they will not be there for the next one. So they judge on the closest thing to evidence they can get, and nothing on a website is closer to evidence than photographs of real work, taken by you, on jobs you actually did. Everything else on the page is a claim. The photos are proof.

This matters most in the visual trades. A re-roofed terrace, a landscaped garden, a spotless end of tenancy flat: the result is the product. If your pages carry stock images while a competitor shows their own scaffold going up and the finished ridge line, the customer believes them and merely hears you. This guide covers what to photograph, how to make it a habit, and where the photos should go. It is part of the bigger picture of winning work online.

Why before matters as much as after

An after photo shows a nice result. A before and after pair shows a transformation, and the transformation is what the customer is buying. The moss-covered roof next to the clean finished one, the overgrown garden next to the turfed lawn: the pair tells a story a single image cannot.

The before photo also does quiet work on trust. It shows you are not curating a highlight reel of easy jobs. Real befores are messy, and mess reads as honesty.

The habit: two photos per job, same spots

The reason most trades have no photos is not equipment. Every van has a phone in it. The reason is that photography feels like a separate task, and separate tasks get skipped when the day runs long.

So make it not separate. Two photographs per job: one before you start, from the spot the customer would stand, and one from the same spot when you finish. Same angle, same distance, daylight if you can. Thirty seconds each. On a bigger job, add one mid-job shot showing something the customer never sees, the felt and battens under the tiles, the membrane behind the wall, because it shows the work inside the work.

Ask the customer once, at booking, whether they mind photos of the work being used on your website. Almost everyone says yes, and asking marks you as professional.

What to photograph in each trade

Roofing: the whole elevation before, the stripped roof mid-job, the finished elevation after, and a close pair of the detail that failed, the cracked tiles or rotten batten. Storm repairs are especially worth photographing, because storm damage is what next winter's customers will be searching for.

Landscaping and gardens: wide befores from the house looking out, the same frame after, and one detail of the edge work, because edges are where customers judge care.

Cleaning: end of tenancy pairs of the oven, the bathroom and the carpet. The oven pair alone has sold more cleans than any paragraph ever written.

Plumbing and heating: the old boiler out, the new one piped in, neat pipework close-ups. Tidy pipe runs are the plumbing equivalent of straight edges.

Where the photos should live

Three places, in order. Your Google Business Profile, because the map listing with real photographs gets more calls than the one with a logo on a coloured square. Your website, on the page for that service in that area, so the proof sits exactly where the customer lands. And only then social media, which is where photos go to be seen once and forgotten.

Name the files sensibly before uploading, what the job was and where, and write a caption that says the same. The photo of a slate roof repair belongs on the slate roof repair page, not in a general gallery sixty images deep. Galleries are where proof goes to be skipped.

Honest photos only

No borrowing from suppliers, no stock, no other people's work, ever. It is dishonest, customers can smell it, and a single caught fake poisons every real photo you have. If you are starting from nothing, start with the next job. Ten real photographs beat a hundred perfect ones that are not yours.

You do not need a good camera, editing skills or an eye. You need the same two angles, every job, for three months. After that you will have a body of proof most competitors cannot match, because they skipped this page.

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